Tuesday, September 14, 2010

Valuable Presentations

The phenomenon of the ready-made and its usage as an art object is proximal to the abandonment of the art craft. If painting signifies art, skill and craftsmanship, then, with the onset of industrialism, craftsmanship was rendered useless, and thereby, so was painting. Nevertheless, new technical achievements have continued to emerge from within the realm of painting. Today, the international art scene is moving dramatically in a new direction. When it comes to participation in large international exhibitions, the growing tendency has been to rely on the use of new technologies and new and serious obstacles have been placed in front of artists coming from the East. The possible frustration of such artists is derived from the usage of objects that are completely industrially produced or even ordered to be produced. In the case of exhibiting ready-made objects, the painter has been replaced by a machine. This proves that the motivation for ready-made objects was closely related to production and fabrication, although, Marcel Duchamp, for one, did not have in mind any obsession or glorification of the perfection and beauty of the ready-made "When I discovered the ready-made I thought to discourage aesthetics.

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